DIRECTOR: Abhishek Varman
CAST: Arjun Kapoor, Alia Bhatt, Amrita Singh, Revathy, Ronit Roy, Shiv Subramaniam,
Pretty Tam Brahm ponnu plus hatta katta Punjabi munda equals to match made in heaven? If you go by 2 States, yes, but getting to it is long and arduous. The film sets out to be a solid, emotionally satisfying rom com, and goes well for a bit but then turns into a too-stretched-out jhagda between the two sets of north-south parents. And the romance gets short shrift.
Krish Malhotra (Kapoor) and Ananya Swaminathan (Bhatt) meet at IIM-A and fall in love. It takes a while to reach the state where they want marriage, and that is all to the good. This part of the film is light and frothy, with both Kapoor and Bhatt rubbing off each other, and managing to generate some electricity, while they tumble in and out of bed and class and graduating day ceremonies.
It’s the meet-the-parents aspect of the plot, based on Chetan Bhagat’s autobiographical novel of the same name, that becomes too much: just why are parents in this day and age so fiercely opposed to the union of “chicken” and “saambhar”? Mr Malhotra (Ronit Roy) drinks and is obnoxious. Mrs Malhotra (Amrita Singh) feels that Ananya has phansaaoed their gora chitta ladka. The truth is that Ananya is more gori and chitti than their sonny boy, and holds down an equally well-paying job. So what’s the problem?
Krish’s mom is submissive and passive-aggressive, like all good moms of boys who think their laadla is being stolen away, but her downer against Ananya seems to have no real reason, just like in the book: culturally opposed parents may start off warring, but they also have ways of getting around these things without so much pointless sparring. Is this film coming out in 2014 or in the ’60s?
The Swaminathans (Shiv Subramaniam and Revathy, well cast) live in Mylapore, and are the biggest cliché in the piece: they are grumpy and unfriendly, he drinks coffee and refuses to smile and she wears Kanjeevaram and does ditto, even though they come around to Krish faster than his parents to Ananya. South Indians can scowl and live in spare homes and sing Carnatic music, but the film exaggerates both the cultural specificities and the spurious differences.
When the going is good, both Kapoor and Bhatt, she more than he, rise above the film’s flaws.