Director: Rajat Kapoor
Cast: Sanjay Mishra, Rajat Kapoor, Seema Bhargava, Maya Sarao, Taranjeet, Namit Das, Brijendra Kala, Manu Rishi
What if you come across a man who will believe only what he sees with his own eyes, and negate everything he canít? Will you call him eccentric and ignore him? Or humour him, and hear him out? Rajat Kapoorís beautifully written and directed Aankhon Dekhi breathes life into such a man, fills him up with not hot air, but a mix of foolishness and wisdom that is at once arresting, and inviting. He is fool, clown and man, all in one. He is us.
Bauji (Mishra) lives with his younger brother (Kapoor) in one of those cramped first floor quarters, more hovel than haveli, in Old Delhiís Fatehpuri area. It has a chhatt with janglas, tiny rooms adjacent to each other, a makeshift kitchen, and a common toilet. The family is joint at the hip in more ways than one, which is evident right from the first scene when Baujiís daughter Rita (Sarao) is found to be in a relationship with an allegedly disreputable boy (Das), and all hell breaks loose.
This is not the India which takes part in the sort of sex surveys that are grist to so many glossy magazine mills. This is still the Bharat, under attack from global forces but holding up perilously, where girls have to hide their boyfriends from their over-protective families and nosy neighbours, and where the chacha has as much right to clip one across the cheek of the importunate invader as the father.
Those who have grown up in such an atmosphere will instantly recognise Bauji, his chota bhai, their carping-but-close wives, and their children, growing up and outward, trying to find their place in a rapidly changing world.
Kapoorís film is an absolute gem, because he gives us a marvelous bunch of characters who make us laugh, and pause, and think. In another film, Bauji would have come off a caricature. But here he is a man in the vital process of sloughing off dead layers, and discovering his skin. Sanjay Mishra does a terrific job of becoming Bauji.
Everyone else pitches in with performances which are as true and felt: Kapoor as the left-out-but-caring chacha, Bhargava as Baujiís constant companion, Taranjeet as Kapoorís wife, and Sarao as the spirited young Rita who wants to marry a fellow of her own choice. And a clutch