Christoph Waltz really owes Quentin Tarantino. Waltz won his second supporting-actor Academy Award on Sunday for a Tarantino film, this time as a genteel bounty hunter in the slave-revenge saga “Django Unchained.''
In a choked voice, the Austrian actor offered thanks to his character and "to his creator and the creator of his awe-inspiring world, Quentin Tarantino.''
Waltz also offered gracious thanks to his supporting-actor competitors, who included two-time Oscar winner Robert De Niro and Oscar recipient Tommy Lee Jones, who had been considered a slim favorite over Waltz for the prize.
A veteran performer in Germany and Austria, Waltz had been a virtual unknown in Hollywood when Tarantino cast him as a gleefully evil Nazi in 2009's "Inglourious Basterds,'' which won him his first Oscar.
Waltz has since done a handful of other Hollywood movies, but it's Tarantino who has given him his two choicest roles. Backstage, Waltz had a simple explanation for why the collaboration works.
“Quentin writes poetry, and I like poetry,'' Waltz said.
The foreign-language prize went to Austrian filmmaker Michael Haneke's old-age love story "Amour,'' which had been a major surprise with five nominations, including picture, director and original screenplay for Haneke and best actress for Emmanuelle Riva, who turned 86 on Sunday and would be the oldest acting winner ever.
The top prize winner at last year's Cannes Film Festival, "Amour'' follows the agonizing story of an elderly man (Jean-Louis Trintignant) tending his wife (Riva) as she declines from age and illness.
Haneke thanked his own wife for supporting him in his work for 30 years.
“You are the center of my life,'' Haneke said.
The Scottish adventure “Brave,'' from Disney's Pixar Animation unit, was named best animated feature. Pixar films have won seven of the 12 Oscars since the category was added.
The story of an dauntless princess (voiced by Kelly Macdonald) who balks at her parents' attempts to marry her off, “Brave'' won out over a strong field that included Disney's “Wreck-It Ralph'' and “Frankenweenie.''
“I just happen to be wearing the kilt,'' said “Brave'' co-director Mark Andrews, who took the stage in his trademark Scottish garment.
The upbeat musical portrait “Searching for Sugar Man'' took the documentary feature prize over a lineup of sober films that included the AIDS chronicle “How to Survive a Plague,'' the military-rape critique “The Invisible War'' and the Israel-Palestine studies “5 Broken Cameras'' and “The Gatekeepers.''
“Searching for Sugar Man'' follows the quest of two South African fans to discover